Season 1 was a hit and They want us back for round 2! Click the image below for the article in Deadline.
This post doesn't have anything to do with music supervision but it IS music related and it's something I'm excited about.
In addition to music supervision I also oversee the management of my late father John Terence Turner's photography estate. My dad was a pretty globally recognized photographer in his time shooting major advertising campaigns and creating iconic images for brands like Nike, North Face, Patagonia, K2 Skis, Raleigh, Cummins Engines and Boing just to name a few, as well as for publications like Sports Illustrated and National Geographic. In the 70s he took some of the most classic ski photos of the era at a time when skiing was a much bigger deal and places like Sun Vally and Aspen were like "winter Hollywood." My dad was also an amazing skier himself and got me into the sport as soon as I was able to walk. I became a ski racer and the sport of skiing had one of the biggest impacts on my life of anything I can think of apart from music.
I was delighted to recently receive a request to license one of my dad's classic ski images of the 1970s to a very cool music festival in Charleville-Mézières France called "Le Cabaret Vert" -now in it's 13th year and with a great line-up I might add!
They wanted to use his iconic image of 70s "hotdogger" and freestyle skiing pioneer Wayne Wong which had initially been an ad campaign for K2 Skis and then ultimately became a sort of ubiquitous bedroom poster among teenagers in the 70s. The skiing style that he developed whereby the skier would ride the tails of the skis with the tips way up in the air became known as "skiing the Wong way" and it became a bit of a craze for a while in the 70s. After that, Wayne even became a spokes-athlete for Pepsi for a while and was ultimately inducted into both the Canadian and US skiing hall of fame and he's still out there as an advocate for the sport today.
( original image inset to the right )
Anyway, I can't think of a cooler more serendipitous way to merge my childhood growing up skiing with my dad and my current adult life as a music supervisor than having this cool French music festival (with Phoenix headlining no less) using one of my father's more famous photos as the center piece to their marketing campaign. Life is pretty weird like that sometimes.
The new 2018 Cabaret Vert festival poster is below!
Also, check out this promo video they produced featuring all kinds of wacky-ass 1970s freestyle skiing flair. Pretty funny stuff!
My friends at 5 Alarm Music which is one of my favorite production and score libraries asked me to help them with this very realistic and serious re-enactment of their process when it comes to finding just the right piece of music for imminently reasonable clients such as myself. I like picturing this going down every time I call them now.
Here's a look at the new trailer for the CBS All Access show "No Activity." This show is crazy funny and it's actually a US remake of a popular Australian show by the same name. Will Farrell and his team brought it to CBS for an American audience and it has an incredible cast of comedy stalwarts including Will Farrell himself, Tim Meddows, JK Simmons, Jake Johnson, Amy Sedaris, Michaela Watkins and Bob Odenkirk as well as Patrick Bramall who starred in the original Australian version. To top it all off it's directed by Trent O'Donnell who directs The New Girl.
I was very fortunate to be brought on to music supervise this season by the same producers who also created American Vandal for Netflix. The musical highlight of the series for me is definitely the theme song by El Vy (Matt Berninger of the National) "Happiness Missouri." Not many TV series these days get to license theme songs by iconic artists because it's typically much less expensive to create an original theme song that the network can then own the rights to, so that ends up being a little more common.
Show premiers November 12th!
It's trailer day! The first trailer for the hilarious new Netflix series "American Vandal" just dropped today. You're not going to want to miss this. It's basically an eight episode dick joke disguised as a true crime documentary. It's a co-production between CBS, Funny Or Die and Netflix and I came on during production as a music consultant to advise on a few things. Obviously the true crime genre has been a big winner for Netflix so I suppose it was only a matter of time before the genre parodies started rolling in. I think this one will be hard to top though
I really should have posted this when it came out last May but I didn't and I just thought of it so I'm doing it now. Get the incredible Mark Mothersbaugh soundtrack for Pee-wee's Big Holiday here! (click the image below to link to iTunes)
The Hollywood Reporter published a review today of cool little indie film that I worked on called "Imperfections" made by my old Chicago pal David Singer. Lots of backhanded compliments in here but it seemed like they basically liked it. There's some great old school soul tracks in this film not to mention a really tight original score full of gems (pun intended) by David himself. The film opens theatrically in select cities on the 28th and then on demand everywhere after that. Check it out! (click image below for article)
All things considered I think it was a success! Nobody fell asleep out of boredom and I couldn’t have been happier to listen to the war stories of my fellow panelists. Here’s a little shot of all of us together. Thanks to Jojo Villanueva, Amanda Krieg-Thomas and John Houlihan for joining me, Michael Faye for moderating and the Musicians Institute of Hollywood for hosting us!
Hi folks! Just thought I’d share this incase you’re in the LA area and feel like seeing me and some other MUCH fancier music supervisors talk about music in film.
I’m pretty happy to share a stage with this lot, and I might even say something interesting!
Finally! After much anticipation Netflix has just released the very first teaser trailer for Pee-wee’s Big Holiday and it’s as goofy as you would expect.
I had the great pleasure of music supervising this film for Director John Lee (co-creator of my favorite short lived show Wonder Showzen) and producers Judd Apatow and Josh Church over the last several months. Although I’m admittedly biased I think it’s hilarious and a great return to form for the Pee-wee character.
The film co-stars Joe Manganiello who hilariously plays himself as well as some other fun cameos that I won’t spoil for you.
There is a fantastic score done by the always incredible Mark Mothersbaugh who, as a matter of fact was the original composer on the Pee-wee’s Playhouse series and I managed to squeeze in a handful of fun songs in a few scenes as well.
In one part I even got to make a mashup of “I Love Rock n Roll” and “The Oogum Boogum Song” so that was interesting.
The Rollo & Grady website was nice enough to include me in their survey of music supervisors year end top albums of 2015 list.
Nice to be nestled among such a talented group!
NOTE: There’s a type-o in that first album listed there… not sure if that was my fault or theirs but obviously that FJM record should read “I Love You Honeybear”
On Thursday Yahoo.com premiered the first trailer for the film I spent the better part of last year music supervising. “Brand: A Second Coming” is an intense and hilarious documentary about firebrand comedian and activist Russell Brand, directed by 2 time Sundance winning director Ondi Timoner.
This film has been in the making for over 8 years, initially conceived of and set in motion by Russell himself along with Oliver Stone, it ended up changing hands a few times before landing with Ondi to complete.
Russell is plenty entertaining on his own but there are also some incredible appearances by the likes of Mike Tyson, David Lynch, Noel Gallagher, Stephen Merchant, Katy Perry, Oliver Stone and more.
This is my second time music supervising for Ondi and the projects are always as inspiring as they are grueling. I’m really excited for this film to be in wide release in October. Apparently after that it will have it’s TV premier on Showtime.
Also, the soundtrack is great… duh! I’ve got songs in here by Radiohead, Depeche Mode, John Lennon, T. Rex, New Order and a number of great indies.
The original score for this film was a unique challenge as it was woven together by contributions from 8 different artists/composers rather than just one. Most of the score was composed by Brian Zack Lewis (a regular go-to for me) as well as a fantastic ambient rock group out of Eugene Oregon called This Patch Of Sky who I rather serendipitously stumbled upon early in the process. If you dig artists like Explosions In The Sky you’ll love these guys.
Here’s a little spot I did recently with Media Creature for short term lender Rise Credit. Nothing too terribly fancy here, just a tight 30 second spot with some cute animation and of course the perennial favorite “Eye of The Tiger” by Survivor:
I’m going back to Toronto! I love that town so I’m excited to participate in Canadian Music Week again this year. They had me up to speak a couple years ago and it was a blast so I’m sure this year will be equally enjoyable.
I’m looking forward to catching up with my Canadian music friends and meeting some new ones. If you’re in town for the even’t try and catch my panel on the 9th. I’ll also be doing some more intimate artist consultations later in the day.
I’m pretty unbelievably excited to report that I won an Indie Series Award for “best soundtrack” last week! It was quite unexpected but very flattering. The award came via a very cool digital series called “Wallflowers” that I’ve been involved with for a couple years. The show was nominated for 7 awards that night which was partly why I didn’t think mine would be the one to take it. But lo and behold we won for best soundtrack and I got a shiny crystal award and I’m pretty happy about it.
I put a little video clip below of our acceptance from the live stream of the event. I was a little too shocked and unprepared to say anything very cohearant so I’m glad Kieran (the creator) did all the talking.
The premiere was a blast and so far the press has been pretty great. Unfortunately Russell was a no-show writing a diplomatically worded “open letter” as to why he was not only ditching the premier but also his duties as the keynote speaker of SXSW interactive. This was a source of more than a little controversy but it certainly didn’t hurt the publicity of the film coming out of the weekend. Here’s a solid review from The Hollywood Reporter:
And here’s a red carpet shot of me and my lovely date for the evening, Neph Basedow, star music writer for the Austin Chronicle:
Last week I was invited to come on to the “Hunnypot Radio” show as the guest DJ. It was pretty fun!
If you are unfamiliar, Hunnypot Radio is a live and archived webcast/podcast/videocast show which has been broadcasting about twice per month for the last 10 years or so here in LA. It’s hosted by music industry veterans John Anderson and Jeff “Pesci” Grey and features guest DJ sets and live bands at The Mint night club. It’s a fun (and free) event so folks kinda drift in and out during the live stream.
It’s kind of an all night thing so I just snipped out my section of it to post here rather than the full evening’s worth of audio. I played about a half hour of music that I’ve been digging lately and just kinda shot the shit and had some drinks.
Here’s what I played:
“Waiting For The Heart To Beat” / Lights On
“Rush Hour Soul” / Supergrass
“Nature” / Walla
“Visions Of You” / ROOM8
“Come Alive” / FMLYBND
“Make Our Move” / Le Concorde
“Dreamers” / Scavenger Hunt
“ON/OFF/ON” / PLS PLS
The musical badasses at Wolf At The Door just put some more points on the board with this new global spot for ASICS via 180 Amsterdam. I was happy to have a hand in this as well. Definitely expect big things from those guys this year!
I’m a terrible card player. I have a lot of anxiety about certain kinds of pressure and I’m not good at lying so I’d be an open book at a poker table. Yet somehow I’ve managed become involved with the World Poker Tour and I’m now in charge of executive producing all of the music for their endless amounts of programming hours on Fox Sports.
I had no idea how popular watching people play cards is but apparently I’ve had my head under a rock or something because in recent years it has become one of the fastest growing spectator sports in the world and their shows reach 90 million homes world wide. That’s a lot of content demand!
As a result I’ve been pretty much buried for the last 3 months with the gargantuan task of developing their music library for their new season of programming and replacing all of the music for re-airs of the last season. I think the madness should slow down in a couple of months but right now -yikes!
I’m happy to announce the trailer release of a fun little indie “comic thriller” that I recently had the pleasure of music supervising. The film is called “Coffee Kill Boss” and it was produced and directed by the multi-talented Nathan Marshall and scored (and produced) by the also multi-talented Scott Van Dutton. The score really is quite good… as a score geek I was thoroughly impressed
Here’s a brief plot synopsis:
“When ten executives secretly meet to sell off their company, they’re murdered one by one in this darkly comedic romp through the halls of corporate America.”
The film has a great cast starring: Noureen DeWolf (Anger Management) Eddie Jemison (Oceans 11, 12 & 13), Robert Forster (Mulholland Drive /Jackie Brown), Chris Wylde (The Chris Wylde Show / Just Shoot Me) Peter Breitmayer (Mad Men / Horrible Bosses / G.I. Joe) and Zibby Allen (Grey’s Anatomy / Without A Trace). It’s a pretty goofy and fun ride of an indie film and seems quite topical considering all the nonsense going on in government these days. The film premiers this week at the Austin Film festival and I’m sure you’ll be hearing about it on a screen of some kind near you eventually!